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The magic between Dylan Wall and I resulted into two studio releases that satisfies me greatly and got the exposure I wanted. So I found the dude’s email in my inbox and it all started from there.
Regarding my time in the studio, I got hit up one day by my friend Jordan telling me that his friend was looking to book me for studio time since they both loved my music. Everything was made in the bedroom besides “Hopeless” and “Missed”. The only releases that I used the audio interface on was “Teardrop Party”, “u stole my heart”, and “Bliss”. I used that a lot to write the demos for “Hopeless Romantic” and “Missed Connections”. I then ditched the Tascam and got one of the audio interfaces so it would be easier. I would just send the guitar and vocal files to him through google drive and he would work his magic. After my album “Fake Wisdom” came out, I relied heavily on my friend Tristin who would add better effects and crazy good drum tracks. Sometimes I wouldn’t do post production at all ahhaa. Then I would add effects after on ableton or whatever I used back then. I would just plug in my Roland drum machine and direct input my amp into the Tascam. Mother of teen whose classroom suicide inspired the Pearl Jam song 'Jeremy' speaks out 27 years later as the friends who witnessed it say they were angry at the band for its 'inaccurate' portrayal. HS: Well for the first two years of High Sunn, I would use the same Tascam 8 track recorder that burned out recently.
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